МИСТЕЦЬКИЙ ОБРАЗ НОРВЕГІЇ: ДО ПИТАННЯ ФІКСАЦІЇ КУЛЬТУРНОГО ЛАНДШАФТУ
THE ARTISTIC IMAGE OF NORWAY: TO THE ISSUE OF FIXATION THE CULTURAL LANDSCAPE

Summary/Abstract: The purpose of the article is to review changes in worldview and artistic expressions in fixing the cultural landscape of Norway; to trace the reasons in the formation of the style of romanticism, where research function in reflecting nature and culture had a big role; to analyze the features of the local artistic tradition and forms of stylistic transformations that led to the evolution of the cultural landscape vision. To achieve the goal, the analyses from the works of J. Flintoe, J.C. Dahl, N. Astrup, C. Krog, E. Munch, G. Mynthe, E. Werenskiold, K. Kielland, H. Sohlberg, B.Ness, N. Krantz. This made it possible to focus on figurative diversity in the interpretation of the cultural landscape. The research methodology is based on the application of theoretical methods, art analysis, and systematization of works that correspond to this topic. The scientific novelty of the work lies in the actualization of artistic possibilities in capturing changes in the cultural landscape. Conclusions. Paintings are becoming a part of the scientific documentation for the present day. This leads to a new perspective, where painting becomes historical evidence and valuable material for modern architects, restorers, historians, archaeologists. According to the results of the research, it was proved that in the period from the 1820s to the 1920s the most expressive and active development of the cultural landscape theme, was realized by using art as a document. Various clarifications have been developed, such as the mood of romanticism transforms into the style of modernism, and how the compositional constructions of the Middle Age are actualized in the style Art Nouveau.

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