Transcriação no Sermões de Júlio Bressane: interações de literatura, pintura e oralidade
Transcreation at Sermões by Júlio Bressane: Interactions of Literature, Paintings and Orality
Author(s): Adriano Carvalho Araujo e SousaSubject(s): Semiotics / Semiology, Visual Arts, Comparative Study of Literature, Film / Cinema / Cinematography, American Literature
Published by: KSIĘGARNIA AKADEMICKA Sp. z o.o.
Keywords: Julio Bressane; Antonio Vieira; transcreation; intersemiotic translation; orality’s cinema;
Summary/Abstract: This article analyses some sequences of Sermões: A História de Antônio Vieira, film by Júlio Bressane released in 1989, discussing elements that repercute baroque’s vibration and vertigo, as well as opositions in film-making style such as the presence of: sound and silence; overflow and emptiness etc. Intending to debate the transcreation process (CAMPOS, 1992) which makes Bressane’s film pass through literature and paintings, with an emphasize on oral poetry. The voice of Vieira with his prophecies and speeches leads the filmmaker to images offering a cartography of Portuguese-Brazilian literature and culture.
Journal: Studia Iberystyczne
- Issue Year: 2019
- Issue No: 18
- Page Range: 95-106
- Page Count: 12
- Language: Portuguese