Аксиоматиката в изкуството
Axiomatics in art

On the Aesthetics of Immanent

Summary/Abstract: The present text seeks to highlight a certain tendency towards homogeneous imagery in certain manifestations of fine and conceptual art, which in turn refers to a certain aesthetic of immanence, or more precisely to the so-called “radical immanence”. This term was developed in the works of Francois Laruelle and that of Michel Henry, which is partially discussed in the second part of the text. Also, the concept of immanence set forth in the text raises the question of a sort of dynamic between Heidegger’s understanding of Being and Laruelle‘с notion of the One (or the Real, a term that can also be found in the work of the late Lacan).

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