El juego de las formas. Leónidas Lamborghini, Néstor Perlongher
The Game of Forms. Leónidas Lamborghini, Néstor Perlongher

Summary/Abstract: In this work we will try to show the operation of the continuum in the textuality of “El riseñor” by Leonidas Lamborghini, which is glimpsed in a perpetual game of repetitions and lexical, syntactic and phonetic movements, a certain tension between spelling and prosody that defi nes the line of his poetry. The article does not imply a comparative approach in the strictest methodological perspective. Rather, it supposes a serial character, as the French philosopher Gilles Deleuze understood the concept of series: a rhizomatic articulation of motives, topics, problems, symptoms that emerge in this case from the lyric genre or poetry as materiality. Thus enters the analysis of the selected corpus of Néstor Perlongher, who establishes the paradox between religious gaze and heresy in his deliberately artificial evocation of the figure of Eva Perón. Life experience materializes in writing; here, poetry and essay deal with the association between mystical body and body without organs, something that, from the aesthetic conception of the Baroque, can be thought of as extraterritoriality and effort to go beyond its own limits.

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