The Journey in Animated Cinema - between Escape and Return Cover Image
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Пътуването в анимационното кино – между бягството и завръщането
The Journey in Animated Cinema - between Escape and Return

Author(s): Radostina Neykova
Subject(s): Fine Arts / Performing Arts, Visual Arts, Film / Cinema / Cinematography
Published by: ЮГОЗАПАДЕН УНИВЕРСИТЕТ »НЕОФИТ РИЛСКИ«
Keywords: Animation; drawing; animated image; animation movement; animation timing and backgrounds

Summary/Abstract: The journey in the animation cinema can be in many aspects - from fully real tracking of movement in space, through vertical or horizontal movement in the past, present and future, with or without a specific direction, to physical or psychological escape and / or return after time.The text analyzes the specifics of travel, escape and return in key examples of modern animation cinema.In animation, screen movement takes place in a specific space and for a specific time. And the first signal association for avoidance, for travel is precisely movement, movement in time and space. Of course, in animation cinema the movement is absolutely free and unlimited and can vary from fidelity to nature to abstraction and absurdity, it can manifest itself in a new quality of cinema - in the metaphorical image, in the creation of its own system of signs and symbols.The journey in the animation cinema can be in many aspects - from fully real tracking of movement in space, through vertical or horizontal movement in the past, present and future, with or without a specific direction, to physical or psychological escape and / or return after time. The text analyzes the specifics of travel, escape and return in key examples of modern animation cinema. In animation, screen movement takes place in a specific space and for a specific time. And the first signal association for avoidance, for travel is precisely movement, movement in time and space. Of course, in animation cinema the movement is absolutely free and unlimited and can vary from fidelity to nature to abstraction and absurdity, it can manifest itself in a new quality of cinema - in the metaphorical image, in the creation of its own system of signs and symbols.

  • Issue Year: 30/2021
  • Issue No: 2
  • Page Range: 185-195
  • Page Count: 11
  • Language: Bulgarian