KOMPILAČNÝ FILM A JEHO KONCEPT – PRÍPADOVÉ ŠTÚDIE
COMPILATION FILM AND ITS CONCEPT – CASE STUDIES
Author(s): Martin PalúchSubject(s): Interwar Period (1920 - 1939), Post-War period (1950 - 1989), Present Times (2010 - today), Film / Cinema / Cinematography, History of Art
Published by: Ústav divadelnej a filmovej vedy SAV
Keywords: compilation film; found footage; archive film; film history; juxtaposition;
Summary/Abstract: Using the example of three films spanning different historical periods, the study provides an analysis of the creative potential of a compilation film. In its first part, the study contemplates the juxtaposition of current events within the concept of a critical compilation film by Henri Storck Histoire du soldat inconnu [Story of the Unknown Soldier, 1932], while in the second part, the study scrutinises an avant-garde approach to the juxtaposition of archival materials employing the found footage concept of A Movie (1958), film by Bruce Conner. In its third part, the study provides an analysis of the juxtaposition of acted scenes as a principle of a successive narrative within the concept of the film Final Cut: Hölgyeim és uraim [Final Cut: Ladies and Gentleman, 2012] by György Pálfi.
Journal: Slovenské divadlo
- Issue Year: 68/2020
- Issue No: 04
- Page Range: 384-396
- Page Count: 13
- Language: Slovak