The use of neumatic formulae in Alexander Lashkov’s ‘Dostoyno est’, Liturgy № 5
The use of neumatic formulae in Alexander Lashkov’s ‘Dostoyno est’, Liturgy № 5

Summary/Abstract: Alexander Lashkov’s ‘Dostoyno Est’ was selected for its synthesis of different styles, demonstrating the composer’s original approach to Orthodox polyphony while remaining faithful to Eastern church tradition. The neumatic formulae in the hymn are systematized, and their application in polyphony examined. The melody unfolds within a limited ambitus, it is quite static, and there are few jumps. Although Lashkov appears not to preference vertical events, the disposition of various polyphonic techniques significantly influences the formal structure; change defines the main sections.

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