Особената фантомна съдба на сценарната творба. Поезията на Борис Христов на екрана
The Unique Phantom Role of Scriptwriting. Boris Hristov‘s Onscreen Poetry
Author(s): Nevelina PopovaSubject(s): Fine Arts / Performing Arts, Film / Cinema / Cinematography, History of Art
Published by: Институт за изследване на изкуствата, Българска академия на науките
Summary/Abstract: Full of images, ideas and anticipations, the text in scriptwriting is a specific literature directed to the screen, open to co-authorship, dialogical, multivariate: bearing the “emotional code” of the film, as Sergei Eisenstein said. The script work is a dynamic space of permanent embodiment and transforma-tion of speech into vision. The relations between the writer and the director are often dramatic, but there are brilliant examples of true cooperation. I will focus on the tandem between the poet Boris Hristov and the director Anry Koulev. I will examine the mutual relations, transformations and variations between the repeated images and motifs – in their feature, documentaries and animated films.
Journal: Изкуствоведски четения
- Issue Year: 2019
- Issue No: 2
- Page Range: 454-463
- Page Count: 10
- Language: Bulgarian
- Content File-PDF