Reflections on Composition as a Topography of Memory: Heiner Goebbels’ and Gertrude Stein’s Anachronic Discourse in Songs of Wars I have seen Cover Image

Promišljanja o kompoziciji kao topografiji memorije: Anahronijski diskurs Heinera Goebbelsa i Gertrude Stein u Songs of Wars I have seen
Reflections on Composition as a Topography of Memory: Heiner Goebbels’ and Gertrude Stein’s Anachronic Discourse in Songs of Wars I have seen

Author(s): Amila Ramović
Subject(s): Music, Aesthetics, Fascism, Nazism and WW II, American Literature
Published by: Univerzitet u Sarajevu - Muzička akademija; Muzikološko društvo FBiH
Keywords: Heiner Goebbels; Gertrude Stein; anachronic composition; landscape form; staged concert;

Summary/Abstract: The paper examines the formative principles employed in Songs of Wars I have seen, a staged concert by the German composer Heiner Goebbels, grounded in the book Wars I Have Seen by the American writer Gertrude Stein. Goebbels’ work appropriates elements of Steins’s text on several levels, such as thematic and textual, as well as structural and formal. It also engages them at the level of global aesthetics and the formal principles that reflect Stein’s overall artistic ideology. Therefore, Songs of Wars I have seen can be interpreted as a platform for a multi-layered anachronic dialogue between the two artists.

  • Issue Year: XXIV/2020
  • Issue No: 1
  • Page Range: 6-40
  • Page Count: 35
  • Language: Bosnian