Patrząc nie-ludzkimi oczami: przypadek „Królika po berlińsku”
Looking Through Non-human Eyes: The Case of „Rabbit à la Berlin"

Summary/Abstract: The article presents an analysis of Bartosz Konopka’s movie "Rabbit à la Berlin" (2009), which is interpreted by the author as an manifestation of the entanglement of human and non-human narratives. The text addresses the problem of the potential of film art for creating non-anthropocentric ways of seeing the world. The considerations refer to transdisciplinary animal studies, particularly to animal history as a subfield of history. The events related to the rise and fall of the Berlin Wall, as seen through the eyes of rabbits, allow the author to interpret the picture from a post-humanist perspective, emphasizing the significance of the film storytelling in the search for new ways of perceiving the world, free from human ego- and anthropocentrism.

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