De l’écriture du désastre à la fragmentation de l’écriture dans Une Saison en enfer de Rimbaud et Le Mal des fantômes de Benjamin Fondane
From the Writing of Disaster to the Fragmentation of Writing in Une Saison en enfer by Rimbaud and Le Mal des fantômes by Benjamin Fondane

Summary/Abstract: Being directly inspired by a society corrupted by evil and the burden of perpetual self-questioning, the poetic word in A Season in Hell and The Evil of Ghosts appears as a kind of shelter where the word becomes a living instrument with its varied forms that give poets access to instances of rare sensations and unexpected hallucinations. Conveying an ambitious message and the duty of recovery of a whole people, the language of Rimbaud and Fondane seeks to escape reality, but it hides a literary ambition that consists of freeing the language of the common, supposedly vicious, concept. It adopts an approach that overturns linguistic structures and normative grammar, generating a word that bears the contradiction of poetry itself.

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