СТИЛЬОВІ ПРИНЦИПИ КИТАЙСЬКОГО МИСТЕЦТВА ХХ СТОЛІТТЯ Й МУЗИКА ТАЙВАНЮ
STILE PRINCIPLES OF CHINESE ART OF THE XX CENTURY AND MUSIC OF TAI WANG

Summary/Abstract: The purpose of the article is a separation historically conditioned original regional donation Tai Wang in total artistic achievements of great China. The methodology of the work is the intonation approach, fixing unity music and speech factor that is common for the tradition of the music of China (refer to work Ma Way and others. The comparative method in methodological complex intonation theories gains the independent character - in spirit corresponding to the work of B. Asafiev and his followers in Ukraine. The special methodological sense has also works by Liu Bing Cjiang, raising the problem of spiritual-semantic determinism of cardinal style tumbling in world art and culture as a whole. The scientific novelty of the work is based on revealing the particular stylistic gradient in music regionalism of Tai Wang, which does not comply with the general style determinations of continental China. Conclusions. The Chinese music on length XX century actively absorbed European influences. Still, with resolution CNR in the 1949 year, these music European indications dominating becomes a tradition style line, which was supported by commonwealth with USSR. The last within China was in principal "new music," which withstood the national tradition, dramatic-theatrical, oriented on the big size of Pe King opera. Unlike these continental signs of Chinese art, insular Tai Wang gravitated to western modernist style in рrоеuropian entailments and concentrated on chamber piano repertoire.

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