НОВАТОРСТВО СЦЕНІЧНИХ БАЛЬНИХ ТАНЦІВ ПОЧАТКУ ХХІ ст.
INNOVATION OF STAGE BALLROOM DANCING AT THE BEGINNING OF THE XXI CENTURY

Summary/Abstract: The purpose of the article is to identify and characterize the trends in enrichment of the choreographic language and the search for new expressive means in modern stage ballroom choreography. Methodology. The cultural-historical method has been applied (to consider and comprehend the problems of stage ballroom dancing in the context of the specifics of cultural processes at the beginning of the 21st century); a method of philosophical analysis of the choreographic vocabulary of stage ballroom dance and innovative means of choreographic expression; method of structural and functional analysis (for structuring the characteristic phenomena of modern stage ballroom choreography and establishing relationships between them). Scientific novelty. The problems of innovative expressive means of stage ballroom are theoretically meaningful by analyzing the creative search for the choreographic language of the world's leading choreographers of the beginning of the 21st century. The causes, specificity and patterns of the emergence and development of new expressive means in the productions of modern stage ballroom choreography are revealed. Conclusions. As a result of the analysis of the innovative search for stage ballroom dance at the beginning of the 21st century, it has been revealed that the characteristic tendency of modern choreographers is the desire for the dancer to embody a psychologically and philosophically meaningful image, to reveal by means of the choreographic expressiveness of the person’s inner world. The musical accompaniment of the choreographic performance creates an atmosphere, expresses the director’s intention and is the basis for determining expressive means. Dance vocabulary of modern stage ballroom choreography sublimates elements of classics, modernism, stylization of ethnic dance and naturalistic everyday gestures; characterized by the enrichment of ballroom dance with new plastic intonations. The innovation of choreography is the appeal of directors to complex dance forms, a significant increase in imagery and expressiveness, a direction towards the perception and understanding of plastic language.

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