ОГЛЯД НАУКОВОЇ ЛІТЕРАТУРИ З ПРОБЛЕМ СТАНОВЛЕННЯ ПРОФЕСІЙНОЇ КРИМСЬКОТАТАРСЬКОЇ МУЗИКИ
REVIEW OF SOURCES WITH PROBLEM OF PROFESSIONAL CRIMEAN-TATAR MUSIC

Summary/Abstract: Purpose of Article is to analyze the state of scientific literature of the 20 – the beginning of the 21 century on the problems of professional Crimean Tatar music. Methodology. The analytical, historical, and comparative methods were used. Scientific novelty. For the first time in scientific research, the history of the composer school of the Crimean Tatar people is analyzed. It was emphasized creative figures who build professional Crimean Tatar music based on the folk (song and dance) tradition. Conclusions. The archaeologist and anthropologist G. Bonch-Osmolovsky stood in the origins of the study of the Crimean Tatar culture, including music, in the 20-century directions. One of the original features of Crimean Tatar academic music is its philosophical character, as most of the Crimean Tatar composers (E. Emir) are not only professional musicians and artists in the broad sense of the word, but also true philosophers, which, of course, influences their creativity, elevating it to the highest stage of emotion, spirituality, depth of imagined images and ideas. The reason for this, in our opinion, is the complex history of these people, which required them of the spirit and willpower, the ability to reflect on their lives and events in it, and move forward without losing hope. That is why we find uncommon wisdom, philosophy, and depth of ideas in the works of Crimean Tatar composers. The second feature is that music at the professional level during the last and present century was created not only by composers but by unique personalities that combine different types of activity (Ya. Sherfedinov - ethnographer, musician, poet, and folklorist; A. Refatov - musician, folklorist, teacher, and researcher; N. Amedov - composer, performer; E. Emir - musician, teacher; E. Nalbandov - composer, researcher).

• Details
• Contents