Concerning the Distinction of a Semantic Configuration and a Structure of Intentionality Cover Image

Про розрізнення змістової конфігурації та структуру інтенціональност
Concerning the Distinction of a Semantic Configuration and a Structure of Intentionality

Author(s): Oleksandr Opanasiuk
Subject(s): Music, Semantics, Indian Philosophy, Phenomenology
Published by: Національна академія керівних кадрів культури і мистецтв
Keywords: the intentionality; a semantic configuration and a structure of the intentionality; the tetractide;

Summary/Abstract: The purpose of the article is the definition of a semantic configuration and a structure of intentionality on the basis of actualization of the factors of objectivity, procedural and fundamental structure of tetractide. Methodology of the research covers the usage of the methods: structural-semantic certainty (based on the senses established by a historical practice and correlated to a certain number; in the article – to a tetractide), procedural-structural (provides the definition of content of a structural dynamics), comparative (enables us to reveal the distinctive and typological moments in a procedural being of a phenomenon). The scientific novelty. For the first time the semantic configuration and the structure of intentionality are being defined (in the context of structural-semantic parameters of a tetractide). Conclusions. Considering that (intentional) being of phenomenon can reside on a different level of development, it points out the lack of analysis of the intentionality in a subjective-objective area or on the basis of a binary structure. The correction of this position is carried out taking into account the factors of objectivity and procedural. The dynamics and structure of the intentionality are specified by four levels of formation which are defined by the concepts: ‟principleˮ, ‟incipienceˮ, ‟definitionˮ, ‟way of beingˮ. The new perspective of intentional research of phenomenon is being unclosed as well as ontology of the intentionality in general. It becomes possible to explore the cultural-artistic phenomenon not only in the area of fixation of concentration of and artistic material on certain senses that are connected with intentionality and builds up the subjective-objective perspective of analysis that is typical for the science of art but also on the basis of the fourth structure of the intentionality. At the same time, we can talk about the spectral (spectral-intentional) analysis namely about the research of cultural-artistic phenomenon on the level of their principle, incipience, definition, way of being/way of accomplished being and everything that these concepts cover and express on a semantic level.