„Die Dinge singen höre ich gern.“
An analysis of the aspect of „originality” in Martin Heidegger’s theory of poetry

Heidegger

Summary/Abstract: The question of the following analysis encompasses a subject that primarily refers to Martin Heidegger’s poetry theorem, but at the same time also addresses a general problem of scientific theory, and as such transcends the limits of a Heidegger study. In addition to analysing the questions given by the philosopher, the consequences that arise from the thesis are considered, according to which a specific transition can be postulated between thinking as a discursive cognitive process and poetry as an aesthetic creative process. On the other hand, the present study aims to take account of the controversy that has arisen around Heidegger by assigning his late writings to a grey area of the science and attempting to deny them scientific discourse today.

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