Cognitive-affective Aspects in the Process Of Choreographic Creation
Cognitive-affective Aspects in the Process Of Choreographic Creation

Summary/Abstract: The choreographic show is not successful without a perfect collaboration / communication between the dance director and: performers (ballet dancers / dancers), stage designer, conductor (when the music is performed live by an orchestra) and the production stage manager.The creative work with the performers is essential and will be successful only through good communication amongst them in order to transform the choreographic creation into a work of art.While in choosing the distribution of a choreographic performance, the dance director is the coordinator (depending on the technical and artistic competences of the dancers), within the creative work the dancer becomes sovereign. The dancer is nothing less but a "rough diamond" (technical and artistic / emotional) of the work itself. The dance director just needs to know how to "cut and polish" this rough diamond into a valuable piece and this is achieved through communication.

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