SPECIFICITATEA EROULUI ÎN TEATRUL DE TELEVIZIUNE de INSPIRAŢIE SACRAMENTALĂ
THE SPECIFICITY OF THE HERO IN THE TELEVISION THEATER OF SACRAMENTAL INSPIRATION

Summary/Abstract: In line with my research theme, which focuses only on the television theatre of sacramental inspiration, a niche that I have called the „new television theatre” for practical reasons in order to differentiate this subgenus from the many dramaturgical and spectacular manifestations, I will deal with the axial element of a narrative structure, be it dramatic scenario or an actual play. I refer to the attempt to define, adapted to our cases, the key character around which gravitates the whole constellation of textual, visual signs, etc. If we admit that we can distinguish the dramaturgy of all time that contains, with or without evidence, the sacramental theme, then we can stop on a special type of hero, namely the mythological one.

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