Іманентні модуси творчого процесу як структура таланту артиста мюзиклу
Immanent modes of the creative process as a talent structure of an artist of a musical

Summary/Abstract: Purpose of Research. The purpose of the article is to represent the talent structure of an artist of a musical as a mapping of the autopoiesis process in the system. Methodology. The methodology of the study is the theory of autopoiesis, which involves the use of modern cognitive approaches: from the philosophical to the psychological, including the psychology of the creative process and the psychology of musical thinking. The genre and intonational analysis of the professional creative algorithms of the artist of the musical is also used, conditioned by the specific features of the creative process inherent in the genre of the musical. Scientific Novelty. The scientific novelty of the research consists in justifying the structure of the talent of the artist of the musical as a reflection of the immanent content of the autopoiesis of the system, which possesses expressed sound-intonational phenomenology. Conclusions. Structuring of the talent through immanent modes is a reflection of the musical intonation of the professional creative process of the artist of the musical, and opens the possibility to trace phylogenesis of the musical and intonational resonance of the character-image, which is implemented as a conditional sequential inclusion in the professional algorithm of immanently-musical modes – intonational and rhythmic, the «task» of which is «objectification» of the unconscious intonational impressions of the musical and dramaturgical musical score; And professional-organizational modes – analytical, architectonic and musical-stage ones. Their «tasks» are a conscious structured professional process.

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