Vědní paradigma ,,techné hermeneutiké'' v myšlenkových korelacích Východu a Západu
The scientific paradigm “techné hermeneutiké” in the East – West correlations of thouht

Summary/Abstract: The present paper deals with theoretic contribution to the enunciation, in the range of literary criticism and Fine Arts in general, of scientific “paradigm” of the art of interpretation of the world of artistic forms and, also, the ways of perceiving their genetic existence and morphological transformation during the historical development. The paradigm sought integrates triple “otherness” through the category of understanding: 1. discursive (dianoetikon, “poetic logic” [G. Vico]), 2. intuitively irrational (“poetic imagination”) and 3. spiritually scientific = “poetic theology” with its gnoseologic centre, i.e. “cardiognosis” (recognising the core of various phenomena and secrets of the art through a heart, “through eyes of a heart”). “The wisdom” of cardiognosis adherent to philocalia and sophianity of logos is a contribution of Russian Orthodox Church thinkers to “poetic theology”, the witness of affinity of the two spiritual entities – the East and the West, in the field of fine-art history. Sophiological and paradigmatic integrum, so-called “hermeneutike techne” is an “spandrel beam” of pneumatosphere (“cardiognosia”) and noosphere (“architectonic” ability of a reason), the backbone of the methodology of hermeneutics and essential component part of “moral astronomy” (according to Hemsterhuis and Novalis), a transcendent support of spiritual development of the mankind.

• Details
• Contents