Художньо-інтерпретаційний дискурс Бахіанства у глокалізованому просторі (на прикладі рецепції клавірної творчості композитора у Львов)
Artistic and Interpretative Discourse of Bachianism in the Glocalizated Space (On the Example of the Reception of the Composer’s Clavier Music in Lviv)

Summary/Abstract: The Purpose of the Article is to investigate the artistic and interpretive discourse of J.S. Bach’s clavier creativity, its reception in Lviv as an object of globalized cultural and artistic surroundings. The methodology of the research is based on the application of historical, musicological, artistic and critical, culturological and analytical approaches, which enabled to analyze the basic principles of the criteria of globalization, the intensity of global and local interactions and the speed of the global reactions on the example of reception and the spread of Bach’s creativity, to trace certain models of interpretation in the historical perspective, taking into account historically formed artistic priorities and tastes of Lviv residents. Such a methodology made it possible to accentuate the modern and postmodern stages of the globalization of cultural and spiritual processes in the projection into the interpretive discourse of Bach’s creation in a specific region. The scientific novelty consists in formulating the definition of artistic and interpretive discourse, in expanding the notions of the globalized and glocalizated socio and cultural surroundings, in the study of the performing discourse of the Bach’s clavier works in Lviv through the prism of its artistic and cultural traditions and achievements. Conclusions. The dominant views of the interactions between global and local are the active apperception of recognized world models of the interpretation of Bach’s clavier music in Lviv. Its artistic and interpretive discourse and traditions of reception are characterized by a symbiosis of external factors and internal conditions. The simultaneous existence of romantic, authentic performances, the performing of works by the German composer with jazz pianists enriches the rich palette the Bach’s Compendium in the glocalizated artistic and interpretive space of Lviv.

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