Етнорелігійні витоки театральних забобонів
Ethno-Religious Origins of Theatrical Superstitions

Summary/Abstract: The purpose of the article is to clarify the ethnoreligious origins of theatrical superstitions. The methodology consists of the application of an interdisciplinary approach with a combination of art theory issues and theological research methods: phenomenological, comparative historical, ethnological, etc. Scientific novelty. The publication is the first attempt of analytical research of theatrical superstitions and prejudices by the methods of religious studies. Conclusions. An analysis of the beliefs prevalent in the artistic environment shows evidence of a general attitude towards the theatre as a living organism, which requires a balance of oppositional forces and phenomena. That is why all the behavioral prohibitions of actors, are aimed at harmonizing theatrical space-time. The theatre, on the one hand, is a model of human housing, which requires constant renewal and purification, on the other hand, it is a kind of sanctuary where the creative act takes place. So it imposes special taboos and ritual restrictions on the behavior of actors.

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