ОСОБЛИВОСТІ СТАНОВЛЕННЯ ТА РОЗВИТКУ ЗАКАРПАТСЬКОЇ КОМПОЗИТОРСЬКОЇ ШКОЛИ У ПРИКЛАДАХ ФОРТЕПІАННОЇ ТВОРЧОСТІ др. пол. ХХ ст.
FORMATION AND DEVELOPMENT OF PECULIARITIES OF TRANSCARPATHIAN SCHOOL OF COMPOSITION BASED ON EXAMPLES OF PIANO ART OF THE SECOND HALF OF XX CENTURY

Summary/Abstract: The purpose of the article is to determine the peculiarities of the stylistic devices nature in piano art of the Transcarpathian composers of the second half of the XX century as a culturally developing phenomenon related to the intentional period in the history of music. The methodology of the research is based on the latest analytical approaches to the study of the deep structure of the musical text by means of semantic and hermeneutic discourse analysis. As an analytical technique, it has been formed on the background of conceptual and semantic updating of the fundamental issues of the modern music study and the improvement of its categorical apparatus. The modern conceptual content of the category of "national" provides, first of all, algorithms of ethnonational identification in the system of "identity of different" (world art culture). The scientific novelty of the paper is provided in the peculiarities of the formation and development of the Transcarpathian composer's school piano art of the second half of the XX century. It is a means of a simultaneous combination of the tasks for mastering academic technologies of musical thinking and approbation of the latest (innovative) principles of stylization.

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