КУЛЬТУРНО-ТЕМАТИЧНІ ВИТОКИ ДИТЯЧИХ БАЛЕТІВ УКРАЇНСЬКИХ КОМПОЗИТОРІВ НА ВІТЧИЗНЯНІЙ СЦЕНІ (ДРУГА ПОЛОВИНА ХХ СТ.)
THE CULTURAL AND THEMATIC ORIGINS OF UKRAINIAN CHILDREN'S BALLETS COMPOSERS ON THE DOMESTIC SCENE (ІІ HALF XX CENTURY)

Summary/Abstract: Purpose of the article. The study is related to the specifics of children's ballets in the USSR and the era of Ukraine's independence. The cultural sources of literary subjects were looked in the ballet art, their connotative connection with the corresponding ideological tasks and assessments that were part of the sign system of cultural consciousness of adults and children's viewers at the specified time are traced. The work of composers and choreographers has been analyzed starting from the first ballet performance for children ("Murzilka and Mazilka" for the music of the classics staged by M. Bolotov and P. Virsky, Odessa, in 1929) to the specially created E. Rusinov's musical compositions A. Yakovchuk, A. Litvinov and other authors. Comprehension of the history of the issue and today's perception of old events allows us to see from the unexpected or previously unknown aspects the aesthetic tastes of the ballet art and to analyze the socio-anthropological and psychological shifts that occurred during the transition to the conditions of the post-Soviet space.

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