SHYUNAZURY STYLE IN THE CONTEXT OF THE DEVELOPMENT OF THE ORIENTALISM EUROPEAN OPERA OF THE 18TH CENTURY (ON THE EXAMPLE OF THE OPERA CH. W. GLUCK «CHINESE WOMEN») Cover Image

СТИЛЬ ШИНУАЗРИ В КОНТЕКСТЕ РАЗВИТИЯ ОРИЕНТАЛИЗМА В ЕВРОПЕЙСКОМ ОПЕРНОМ ИСКУССТВЕ XVIII ВЕКА (НА ПРИМЕРЕ ОПЕРЫ К. В. ГЛЮКА «КИТАЯНКИ»)
SHYUNAZURY STYLE IN THE CONTEXT OF THE DEVELOPMENT OF THE ORIENTALISM EUROPEAN OPERA OF THE 18TH CENTURY (ON THE EXAMPLE OF THE OPERA CH. W. GLUCK «CHINESE WOMEN»)

Author(s): Ming Li
Subject(s): Theatre, Dance, Performing Arts, Music, 18th Century, History of Art
Published by: Національна академія керівних кадрів культури і мистецтв
Keywords: Orientalism; cultural dialogue «East-West»; European musical culture; the opera art; style «shyunazury»; Ch. W. Gluck «Chinese women»;

Summary/Abstract: Purpose of the article is to identify the specificity of the development of the orientalism and its historically significant manifestation – style «shyunazury» – in the context of European opera of the 18th century. (On the example of the opera Ch. W. Gluck «Chinese women»). Methodology of the research is based on the integrated use of historical and cultural approaches, as well as methods of systematic and stylistic analysis.

  • Issue Year: 2018
  • Issue No: 33
  • Page Range: 488-495
  • Page Count: 8
  • Language: Ukrainian