Українська тематика в театральному репертуарі Правобережної України першої половини ХІХ століття
Ukrainian Subjects in the Theatrical Repertoire of Right-Bank Ukraine in the First Half of the Nineteenth Century

Summary/Abstract: The purpose of the article is to detail the repertoire trends of the theatrical life of the Right-Bank Ukraine in the aspect of intercultural dialogue and the clarification of national specificity. The methodology of the Ukrainian theatrical culture of the mentioned period research is the application of the historical-chronological method with the use of a sophisticated interdisciplinary approach, as well as elements of the techniques of the related humanities. It is also appropriate to apply a comparative method, methods of complex analysis and scientific reconstruction, etc. The scientific novelty consists in the systematization of information about the repertoire presented on the stages of Right-Bank Ukraine in the first half of the nineteenth century. His genre composition, living conditions, performing tradition of this period theatrical practice is one of the most important directions of research in the contemporary historiography of Ukrainian musical culture. Particular attention is paid to the place and role of Ukrainian subjects in the prevailing conditions of the Polish and administrative introduction of Russian theatrical traditions. In the context of repertoire trends, information about littleknown works. Conclusions. The complexity of the study of the dramatic repertoire of the first half of the XIX century is due to the inaccessibility of texts of a large part of his samples, as well as the practice of creating numerous stage versions of the work – performances adaptations, which often differed significantly from the original. However, even according to available sources, we can conclude that the works of Ukrainian subjects are viral. Subsequent sources of scholarly research in this promising direction will provide much more material in the study of repertoire features that largely determined the faces of Ukrainian theatrical culture of the first half of the nineteenth century and also influenced its further development.

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