Індивідуальний виконавський стиль диригента-хормейстера як теоретична проблема
Individual Executive Style of the Choirmaster as a Theoretical Problem

Summary/Abstract: Purpose of the Article is an analysis of existing works on the individual performing style of conductor-choirmaster in the modern scientific work, as well as the generalisation of the criteria of the study of the personal performing style of conductor-choirmaster. Methodology. The work used an interdisciplinary approach, through which the analysis of the claimed problem is carried out with the involvement of scientific developments in the field of art history, theory, the practice of performing arts and psychology. Also used general scientific methods: inductive, deductive, hermeneutic. The approach of analysis and systematisation, - to generalise information about the phenomenon of "individual performing style." Scientific novelty of research consists in the systematisation of works devoted to the study of the problem of the individual performing style of the conductor-choirmaster; For the first time in the domestic humanities, attention is focused on the aesthetic components of the personal performing style of the conductor-choirmaster. Conclusions. The individual performing style of the conductor-choirmaster includes a set of "actions", which forms potential opportunities for revealing the internal energy of the conductor-choirmaster, achieving the goal, implementing artistic ideas. In setting the criteria for the individual style of the conductor, the specificity of the own interpretation of the work plays a significant role. The basis of the individual conductor style is the specificity of artistic thinking. It is associated with aesthetic and psychological components, which, in turn, affect the image-emotional and technical-manual interpretation of choral works. All this as a whole is a factor and an indicator of mastery of the conductor-choirmaster.

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