The Theatrical Art: A Comprehensive Interpretation of Socio-Cultural Reality as a Conscious Creation of Meaning Cover Image

Театральне мистецтво: розгорнуте трактування соціо-культурної реальності як усвідомлене смислотворення
The Theatrical Art: A Comprehensive Interpretation of Socio-Cultural Reality as a Conscious Creation of Meaning

Author(s): Svitlana Nikolaevna Shumakova
Subject(s): Theatre, Dance, Performing Arts, Culture and social structure , Sociology of Culture, Globalization
Published by: Національна академія керівних кадрів культури і мистецтв
Keywords: theater art; interpretation of socio-cultural reality; modern globalization processes; creation of spiritual values of the universal level; cultural dialogue; gaining new experience and a new view;

Summary/Abstract: The purpose of the work is to comprehend the "reading" of theatrical art in the context of interpreting historical and cultural realities as transforming forces and fundamentally changing the living environment: the phenomenal "inclusion in considerations"; which inspires the acquisition of a new view of the world. An attempt is being made to deploy the semantic space of theatrical art in the light of its inclusion in dialogical strategies, in the context of the boundaries and horizons of cultural dialogue, which leads to the explication of its essential content as a significant component of the immense, but the only space of culture. Research methodology. The scientific and methodological tool examines appeals to the culturological angle of view, reflecting the interdisciplinary nature of the research field and the universality of the methodological potential, in interweaving with the arts searching research forms. The strategy of solving a research problem identified by the chosen theme reveals the perspective of the cultural and art critics of theatrical art analysts and, of course, mainly reflects on the meaningful scope of the art in question in the context of conceptualizing the concept of "dialogue". The research situation that is being constructed manifests the primacy of the synthesizing slope, when the art-study approach from its concrete analytical, interpretive positions correlates with the cultural explanation of the semantic space of theatrical dialogue, which in general builds the level of theorizing. The scientific novelty of the study is to broaden the notions of theatrical art, revealing aspects of its content as a phenomenon included in the strategy of cultural dialogue. The conclusions formulated the statement: theatrical art knows the person not one-sidedly, but in wholeness, in dialogue with the world, expanded interpretation of socio-cultural reality as a conscious creation. In contemporary globalization processes aimed at creating spiritual values of the planetary level, theatrical art, which reliably reflects cultural self-consciousness and transformation of the sociohistorical context, can be regarded as an effective means of establishing unity and understanding, the development of cultural ties and spiritual contacts, the acquisition of new experience and a new look at the world.

  • Issue Year: 2018
  • Issue No: 40
  • Page Range: 244-252
  • Page Count: 9
  • Language: Ukrainian