ORGANIZAREA INTONAŢIONALĂ ÎN CONCERTUL PENTRU VIOARĂ ŞI ORCHESTRĂ MOMENTE DE GHENADIE CIOBANU
THE INTONATIONAL ORGANIZATION IN THE VIOLIN CONCERTO MOMENTS BY GHENADIE CIOBANU

Summary/Abstract: The article examines the intonational organization of the Concerto for Violin and Symphony Orchestra"Moments". A perspective of the analysis of the intonational system of the Concerto refers to highlighting the traditional narrative types, such as the meditative monolog, dialogue, motion etc. that are closely related to the concept and imagistic world of the work. Likewise, the personification of the soloist instrument in an instrumental concerto is determined mostly by the intonation system used by the composer in his work. The concretization of the intonations, their combination and integration into an actual system of meanings forms the musical work issues. Atthe same time, the intonation system reflects the ideas, images and sound collisions of the work. The "new tone" isan objectivity and constitutes the expression of a new melodic-harmonic organizational order of the sound material. The intonation of a musical work consists of the combination of specific properties generated from compositional practices. In the contemporary history of music there is a variety of individual systems of organizing the soundpitch. These specific intonation systems, however, are based on some common principles of organization. The personification of solo instrument in terms of intonation becomes an important task for a composer in the genre of concerto. A concern for the composers in the concertos for violin and orchestra refers to the methods influencing the violin intonation sonority in terms of the orchestral context in which the solo instrument is placed.

• Details
• Contents