Ontologinių, epistemologinių ir aksiologinių transformacijų sintezė L. Truikio scenografijoje (XX a. 3-asis dešimtmetis)
The Synthesis of Ontological, Epistemological and Axiological Aspects in the Scenery Paintings of L. Truikys (in the third decade of the 20th century)
Author(s): Egidijus MažintasSubject(s): Visual Arts, Epistemology, Aesthetics, Ontology, History of Art
Published by: Visuomeninė organizacija »LOGOS«
Keywords: Opera; scenography; synthesis of image and music;
Summary/Abstract: During his career as an opera scenery painter, the Lithuanian artist L. Truikys ardently looked for an organic synthesis of image and music. In this search he relied much on Eastern symbolism and aesthetics. He believed that the dramaturgy of opera gives an excellent opportunity for the synthesis of various arts.
Journal: LOGOS - A Journal of Religion, Philosophy, Comparative Cultural Studies and Art
- Issue Year: 2004
- Issue No: 37
- Page Range: 179-185
- Page Count: 7
- Language: Lithuanian