The musical idiom of Osiem nokturnów (Eight Nocturnes) by Władysław Sebyła. Initial  recognition Cover Image

Muzyczny idiom Ośmiu nokturnów Władysława Sebyły. Rozpoznanie wstępne
The musical idiom of Osiem nokturnów (Eight Nocturnes) by Władysław Sebyła. Initial recognition

Author(s): Anna Tenczyńska
Subject(s): Philosophy, Studies of Literature, Theory of Literature
Published by: Wydawnictwo Uniwersytetu Łódzkiego
Keywords: Władysław Sebyła; Eight Nocturnes; Nocturne; Nocturnes by Fryderyk Chopin

Summary/Abstract: This article analyses the aspects of the lexical, stylistic and structural levels of Eight Nocturns from Władysław Sebała’s volume Egotic Concerto, which make up the musical idiom of the cycle. The analysis of its relationship with the eponimous musical genre, and especially with its realizations in Fryderyk Chopin’s work, is based on the categories developed within the poetics of the literary text, and by researchers dealing with the musical nocturn genre (Barbara Chmara) and, in particular, Chopin’s nocturns. (Mieczysław Tomaszewski, Charles Rosen).

  • Issue Year: 52/2019
  • Issue No: 1
  • Page Range: 87-98
  • Page Count: 12
  • Language: Polish