Ludowe pojmowanie wiary w kompozycji Missa sine nomine Ignacego Zalewskiego
The folk conception of faith based on the composition Missa sine nomine by Ignacy Zalewski
Author(s): Joanna MalugaSubject(s): Christian Theology and Religion, Fine Arts / Performing Arts, Music, Theology and Religion
Published by: Wydawnictwo Uniwersytetu w Białymstoku
Keywords: Missa sine nomine; Church; people; faith; God; choir; natural voice; Kościół; lud; wiara; Bóg; chór; białe głosy
Summary/Abstract: The preelection is based on published in 2017 book Sacrum and profanum in coral-percussion music of XXI century by Joanna Maluga and Leszek Lorent. The composition for percussion solo, traditional voice consort (natural voices choir) and four trombones is presented as a centre of the article. Missa sine nomine is an extraordinary composition among others by Zalewski, where he tries to interpret the faith in God interpreted by the institution on Church and by vox populi. The article shows not only an analysis of the composition, but also a practical way to prererferformance, based mostly on the dialogue between composer and conductor.
Journal: Rocznik Teologii Katolickiej
- Issue Year: 17/2018
- Issue No: 3
- Page Range: 129-138
- Page Count: 10
- Language: Polish