Preservation of Street Art in Paris. An Example for Riga? Cover Image

Preservation of Street Art in Paris. An Example for Riga?
Preservation of Street Art in Paris. An Example for Riga?

Author(s): Valērija Želve
Subject(s): Visual Arts, Preservation, Rural and urban sociology, Sociology of Culture, Tourism, Sociology of Art, History of Art
Published by: Latvijas Kultūras akadēmija
Keywords: street art; preservation; graffiti; history; Paris; Riga; decoration of city; urban space; urban art; tourism;

Summary/Abstract: In many cities graffiti and street art is considered as vandalism and is often connected with crime. However, in some cities majority of the population does not agree with such a statement. They see street art and graffiti as decoration of the city. They think the artists deserve a safe space for expressing themselves. It is already a little step towards preserving the street art movement, as, of course, not all the citizens will share this opinion, since place of street art is still a very arguable question in many cities around the world. More and more organisations, associations and projects of different types are being created to promote and protect the urban art. Promotion of street art can be expressed in different ways, for example, panel discussions and workshops, exhibitions and festivals. Several street art and graffiti related spaces are being opened in Paris. Museums, warehouses, walls, schools – every kind of space could be used as a platform for the artists. This is also a nice way to show to the city council how important this culture is to the citizens of Paris. At the same time Riga cannot be yet proud of a thriving street art and graffiti culture. But what if Riga actually took Paris as an example? Could similar organisations in Latvia improve the society’s attitude towards urban cultures? Could the safe platform for street art be a solution for its popularization in Riga? The aim of this paper is to introduce organisations which promote and protect street art and graffiti in Paris and to evaluate if street art positions in Paris could actually be an example for Riga. The conclusion is that the bigger amount of such organisations is able to actually change the attitude of society towards the urban art and Riga can surely learn a lot from Paris – creating spaces for graffiti and street artists can not only make their positions better, but also it can have a positive impact for the city’s social life and attract a specific type of tourists to the capital.

  • Issue Year: 13/2019
  • Issue No: 1
  • Page Range: 65-72
  • Page Count: 8
  • Language: English