PoV hybrid storytelling in virtual reality and its axiological
implications (Case study: The AI Comrade) Cover Image

PoV hybrid storytelling in virtual reality and its axiological implications (Case study: The AI Comrade)
PoV hybrid storytelling in virtual reality and its axiological implications (Case study: The AI Comrade)

Author(s): Ioana Mischie
Subject(s): Sociology of Culture, Film / Cinema / Cinematography
Published by: Universitatea de Teatru si Film »I.L. Caragiale« (UNATC)
Keywords: hybrid storytelling; virtual reality; immersion; social game; participative; subjectivity; point-of-view; interactive;

Summary/Abstract: We inhabit an Era invaded by fake news, by audio-visual constructs that have learned how to blend fiction and “non-fiction” flawlessly. This process is however often used to manipulate and misinform in a digital Era where according to a UK survey, people spend more time in front of the screen than they sleep. The result of mixing documentary and fiction is sometimes departing from most of the ethical ideals of a balanced world. We witness some of its unappealing symptoms in poor quality journalism, in art and in some of the social, political, economic aspects of our routine. However, in the current article, we aim to ask ourselves: can we actually transform hybrid storytelling into a meaningful platform? Can we actually blend fiction and documentary constructively? With what intentions? Towards what results? Can hybrid storytelling convey something more powerful and more constructive than separated formats or approaches could? Can we discuss sensitive topics in a configuration that would put less pressure on the shoulders of the participants?

  • Issue Year: 2017
  • Issue No: 20
  • Page Range: 40-48
  • Page Count: 9
  • Language: English