Fenomenologia muzicii contemporane academice în contextul globalizării. Perspective de cercetare
Phenomenology of contemporary academic music in the context of globalization. Research perspectives

Summary/Abstract: The present study reveals the emergence of musical phenomenology in the context of the globalization and mutations of the cultural paradigm of the XX–XXI centuries, considering the changes in the Occidental music from Western Europe. In the Republic of Moldova, the fields of applied semiotics or of musical phenomenology represent a new area of investigation. The phenomenological exploration of music is not limited to the aesthetic dimension, involving extensive knowledge and in-depth analysis of the musical act. The present research highlights the necessity of interdisciplinary investigations of this scientific field. The first elaborations in the research of the musical phenomenology are mentioned, pointing out various perspectives of phenomenological research of music, including in the contemporary academic music, with references to electroacoustic music. In the analysis of music as a phenomenon, the vast problematics emerges – in the detachment of a method of characterizing the aesthetic experience, the emotional, temporal, spatial and cultural dimensions of music/art are taken into account. Thereby, the use of the phenomenological approach will provide new perspectives into the investigation of the creation, interpretation and perception of music.

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