Interactivity as a key feature redefining documentary reality
Interactivity as a key feature redefining documentary reality
Author(s): Frédéric DuboisSubject(s): Media studies, Film / Cinema / Cinematography, ICT Information and Communications Technologies
Published by: Uniwersytet Adama Mickiewicza
Keywords: interactivity; interactive audio-visual media; interactive documentary; web documentary; virtual reality;
Summary/Abstract: Finding a clear-cut boundary delimiting fiction from documentary has always been a controversial, daunting and unthankful undertaking. In the last decade, the blur between the two genres has been reinforced by the rapid advancement of web and AR/VR technologies. Interactive web-documentaries and virtual reality documentaries do not only promote new viewing habits – from swiping smartphone screens to scanning horizons with VR headsets, they shake up the very idea of what a documentary is. In this short scholarly essay, I argue that the feature of interactivity is the driving force redefining the documentary genre. This thesis builds on two case studies: 1) Interactive documentary Atterwasch and 2) VR documentary The Unknown Photographer. In the final section of the essay I revisit the definition of documentary reality and expand it with the addition of André Bazin’s notion of mise en scène.
Journal: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
- Issue Year: 21/2017
- Issue No: 30
- Page Range: 31-44
- Page Count: 14
- Language: English