The cinematographic representation of social frames
The cinematographic representation of social frames
Author(s): Julian BejkoSubject(s): Sociology of Culture, History of Communism, Film / Cinema / Cinematography
Published by: Uniwersytet Adama Mickiewicza
Keywords: Albanian communist cinema; aesthetetisation of politics; state apparatus; self-censorship; Albanian modernity; affective metamorphosis; process of individualization; problematisation of subjectivity;
Summary/Abstract: The author of the essay titled «The Cinematographic Representation of Social Frames» analyzes images in the context of representing physical and ontological aspects of reality. He considers Albanian Communist Cinema (1952–1991) taking into consideration the viewer’s perspective in which cinema is treated as a metaphorical place when people learn to read images and can think through images. The author also focuses on following issues: processes of individualization, representation and the problematisation of subjectivity.
Journal: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
- Issue Year: 23/2018
- Issue No: 32
- Page Range: 156-160
- Page Count: 5
- Language: English