Localised dystopia in Croatian and Serbian cinema
Localised dystopia in Croatian and Serbian cinema

Summary/Abstract: Genre production is often easily localised in various cultures, but localisations of science fiction seem particularly interesting, due to the technological sources of the genre imagery and typical narrative structures. Localisation to a less technologically-oriented society, such as post-yugoslav Croatia and Serbia, are a very good example, since in such films as The Show Must Go On (by Nevio Marasovic) and Technotise - Edit & I (by Aleksa Gajic and Nebojsa Andric) allegorical science fiction deals directly with local problems and narrations, such as Croatia’s obsession with modernisation and West- ern-European identity (in Marasovic’s film) and Serbia’s traumatic relation with Slobodan Milosevic’s regime and national pride (in Gajic’s and Andric’s animated feature film). The experimental concept of Unknown Energies, Unidentified Feelings (by Dalibor Baric and Tomislav Babic) provides another model of dealing with genre structures in a local context, since it directly develops the early-1970s model of connecting experimental cinema with the technological obsessions of the era (important for entire Yugoslavia through the GEFF festival) into a contemporary experimental animated dystopia.

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