« TOUT EST SOURCE » – QUELQUES ASPECTS DE L’INTERTEXTUALITÉ DANS LE THÉÂTRE DE JEAN ANOUILH
EVERYTHING IS A SOURCE – SOME ASPECTS OF INTERTEXTUALITY IN JEAN ANOUILH’S THEATRE

Summary/Abstract: The principal objective of the article is to illustrate the way Jean Anouilh plays with intertextuality, paying particular attention to inter- and intratextuality present in the playwright’s later works which create a peculiar macrotext. The main part of the article is devoted to a detailed analysis of autotextuality elements, as defined by L. Dällenbach, in the play Cher Antoine ou l’amour raté.

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