Bogdan Alexandrov’s Pareidolia through the Optic of Deleuze Cover Image
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Вяра Попова – „Параейдолия“ на Богдан Александров през оптиката на Дельоз
Bogdan Alexandrov’s Pareidolia through the Optic of Deleuze

Author(s): Vyara Popova
Subject(s): Aesthetics, Cultural Anthropology / Ethnology, Social psychology and group interaction, Psychology of Self, Behaviorism, Sociology of Culture, Theory of Literature, Sociology of Art
Published by: Институт по философия и социология при БАН
Keywords: eidos; icon; idol; iconoclast; iconostasis; repeat; similar;image; idea; Difference; simulation; pareidolia, anamnesis; paramnesis; philosophy of identity; philosophy of difference;

Summary/Abstract: The article discusses Plato’s concept of eidos in its aspect of image, as the self-identical repetition of the same, and the casting away of the simulacrum as a non-identical semblance in gradation to difference. By drawing a parallel between Plato’s eidos-image and the total image in Bogdan Alexandrov’s works, and establishing an analogy between simulacrum and pareidolia, the author attempts to “read” the “Pareidolia” exposition through Deleuze’s view of the identical (eidos) and difference (simulacrum).

  • Issue Year: XXVII/2018
  • Issue No: 4
  • Page Range: 79-87
  • Page Count: 9
  • Language: English, Bulgarian