Ontological approach to the definition of the creativity essence in the ancient period Cover Image

Онтологічний підхід до визначення сутності творчості в давній період
Ontological approach to the definition of the creativity essence in the ancient period

Author(s): Yuliya Suhrobova
Subject(s): Epistemology, Ancient World, Sociology of Culture, Sociology of Art, Ontology
Published by: Національна академія керівних кадрів культури і мистецтв
Keywords: creativity; notional origins; imitation; perfection;

Summary/Abstract: Analysis of notional origin of creativity created by mankind is carried out in the article. The main principle of creativity from the point of view of antique thought was imitation and its goals – moral perfection and advancement on the way to Knowledge.