Relacyjność w muzyce według Harry’ego Lehmanna a epistemologia medialna
Harry Lehmann’s notion of relationality in music in the context of media epistemology

Summary/Abstract: Th is article refers to the theory and the term of ‘relational music’ proposed by Harry Lehmann in Digital revolution in music. In the article I will analyse Lehmann’s perspective in the context of the shift ing forms of listening in the 20th century, focusing on the way media shape our perception. I would like to propose to treat multimedia musical performances as a relational form, in which the receiver’s experience is programmed by the artist.

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