Jean-Luc Godard’s Jump Cut and John Zorn’s File Cards Methods: Analogies and Implications Cover Image

Jump cut tehnika filmske montaže Žan-Lika Godara i file cards kompozicioni metod Džona Zorna: analogije i implikacije
Jean-Luc Godard’s Jump Cut and John Zorn’s File Cards Methods: Analogies and Implications

Author(s): Smiljka Jovanović
Subject(s): Music, Film / Cinema / Cinematography
Published by: Fakultet za medije i komunikacije - Univerzitet Singidunum
Keywords: performing; performance; identity; body; analog and digital paradigm; fashion; ideology; control;

Summary/Abstract: It seems not only possible, but even comfortable to compare the following models of artistic creation: Jean-Luc Godard’s Jump cut film cut and editing and John Zorn’s File cards montage of musical blocks. These methods aren’t just similar in execution (differences in media and certain technicalities aside) – they come from the same ideological place and embody artists’ social subversions and revolts towards the mainstream in arts. This is a study on similarities, analogies and divergences between Godard and Zorn, incused in the Jump cut and File cards methods.

  • Issue Year: 2014
  • Issue No: 06
  • Page Range: 66-72
  • Page Count: 7
  • Language: Serbian