Beethoven’s dynamics seen in terms of his “Piano and Violin Sonatas” Cover Image

Beethoven’s dynamics seen in terms of his “Piano and Violin Sonatas”
Beethoven’s dynamics seen in terms of his “Piano and Violin Sonatas”

Author(s): Mihaela Itigan, Stela Drăgulin
Subject(s): Fine Arts / Performing Arts, Music
Published by: Editura Universitatii Transilvania din Brasov
Keywords: Beethoven; dynamics; sonata; piano and violin

Summary/Abstract: Of the three great Viennese classics, Beethoven is by far the composer who opens the door to a new world for the stylistics of instrumental music. By virtue of an authentic and bold musical language, he manages to make his own way through the orderly trend at the turn of the 19th century. In his own style, music acquires a sonorous strength that electrifies the audience permanently, creating at the same time a powerful magnetism that keeps the listeners’ attention alive almost hypnotically. What makes pulse rise, heart beat irregularly, senses sharpen, and the mix of contradictory feelings pour down on the listener is the magical manner in which Beethoven employs and combines the different specific elements of the musical language. Among the most innovative features, Beethoven’s dynamics shape the composer’s language through the colour and weight that he gives to his musical discourse as well as manner of interpretation. This article aims to present a brief analysis of this significant musical element in the texture of Beethoven’s piano and violin sonatas.

  • Issue Year: 10/2017
  • Issue No: 2-Suppl
  • Page Range: 127-134
  • Page Count: 8
  • Language: English