INDIAN BEAUTY AND FOREIGN SPIRITS: THE GOLDEN CASKET IN THE MERCHANT OF VENICE Cover Image
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INDIAN BEAUTY AND FOREIGN SPIRITS: THE GOLDEN CASKET IN THE MERCHANT OF VENICE
INDIAN BEAUTY AND FOREIGN SPIRITS: THE GOLDEN CASKET IN THE MERCHANT OF VENICE

Author(s): Clayton MacKenzie
Subject(s): Semiotics / Semiology, Studies of Literature, Semantics
Published by: Akadémiai Kiadó
Keywords: Shakespeare; caskets; iconography; gold; fortune; Bassanio; Morocco; Portia;

Summary/Abstract: The casket scenes in The Merchant of Venice are powerful arbiters of success and failure. The casket challenge is loaded with culturally-specific signifiers which favour local contenders. Bassanio rejects the gold casket because he is aware that European moral iconographies repudiate earthly wealth (though, ironically, Bassanio is a poor illustration of the principle). The Prince of Morocco, by contrast, understandably supposes gold to be an appropriate metaphor for love – gold was, after all, the prima materia of North Africa. Morocco is on every level more worthy than Bassanio but fails because he chooses through foreign eyes.

  • Issue Year: 68/2015
  • Issue No: 4
  • Page Range: 467-474
  • Page Count: 8
  • Language: English