Debatable character of saving to movie-on-tape in time of expansion of digital technologies Cover Image

Дискусійний характер збереження кіно-на-плівці в добу експансії цифрових технологій
Debatable character of saving to movie-on-tape in time of expansion of digital technologies

Author(s): Iryna Zubavina
Subject(s): Media studies, Film / Cinema / Cinematography, ICT Information and Communications Technologies
Published by: Національна академія керівних кадрів культури і мистецтв
Keywords: Digitograph; movie-on-tape; pixel image; virtual reality;

Summary/Abstract: The article outlined the way of innovative computer and pixel technologies development. It is exposed pro & contra transition from a movie film to new digital data carriers, and also analyzed some features of the creative use of computer technologies in the search of new facilities of screen expressiveness. It describes the basic prospects of the use of innovative tools in the field of digital OSD and a computer simulation, which opened almost limitless possibilities for a realistic perception of the most fantastic creatures of the imagination. It is thus noticed that the modern tools of high-tech creative modeling provide a «photographic realism» of different virtual fictions, determining a new type of credibility in the perception of the screen illusion. But an aura and unique atmosphere of movie-on-tape has own preferences. Will a pellicle cinema be saved? Actuality of select this theme is conditioned with active development of new computer and digital technologies. Their use for fixing and creation of audiovisual information marked a new stage of development of «screen culture». At the same time, it is heavy not to notice that modern informative facilities do a high culture more accessible. The same its valued slat goes down. Consequently, fully actually there is research, that allows to expose the coincidences and differences of creation of screen image in the synthetic art of cinema – in traditional movie-on-tape and in the newest digital movie. In a digital cinema deciding part at creation of cinema appearance is acted by digital technologies. They suitable to creation images of unbelievable on the screen, optical effects, which conflicting with the stereotypes of perception of reality. Sometimes presentation of technological perfection even acquires the status of sufficient. On a background incessant perfection of digital technologies there is the threat of fade away movie-on-tape. In the article are analyzed manipulations possibilities of pixel technologies, tendencies screen arts to the spectacle, «simulations» of subject and invoices, parameters of physical world. The theoretical ground is given becoming of dominants of «new visual». The article conducts the features are explored audiovisual and visual practical worker in unity of artistic and technical components as emanations of cultural and civilization. Under act of the newest technologies classic screen image had transformations. There is the «technological art» (digital, synthesized and virtual). In the article is grounded introduction to the scientific appeal of neologism «techno image». The text reproduces evolution of create image in the screen art in connection with a concrete culture context and aesthetically paradigm of that or other historical period. The article provides an overview of changes in the technological providing of screen creation. In fact appearance of digital technologies changed the aesthetically beautiful parameters of screen works – language of audiovisual arts, methods and technologies of their production and psychology of their perception. It is shown that becoming of hybrid aesthetics of screen image converted interspecific scopes between an animation and playing cinema on conditional. The special attention is spared to the problems of new «digital naturalism». Scientific and technical progress and appearance of new technologies entailed metamorphoses in aesthetics of screen spectacle. It was observed in history of cinema repeatedly. In particular – by appearance sound movie, by the invention of the colored tape, stereo image and others like that. Presently the use of computer technologies and «digital revolution» in a audiovisual culture predetermine appearance the origin on principle of a new spectacle. Spectacle, that built on the imitations and simulations. Spectacle provokes the fundamental loss of reality on crossing technologies and imaginations. A paradox is explored: digital treatment, computer creation of images, refutes the necessity of communication between screen reality and physical reality. Some visual appearance is translated in pixels which are easily added to transformations. Wide introduction of modern digital technologies was instrumental in becoming of a new type of authenticity, with incident to her by the imitations and simulations which are modeled by the arrays of digital these and computer codes. Thus, the improvement of production tool played the role of certain catalyst of creative process. However, and fixing on tape did not lose the advantages. A tape-cinema has the own artistic tasks, that why the assertions about approaching «end» of movie-on-tape seems debatable

  • Issue Year: 2015
  • Issue No: 34
  • Page Range: 286-294
  • Page Count: 9
  • Language: Ukrainian