Theoretical research and development of bandura playing in the XIX -early XX century Cover Image

Теоретичні дослідження та розвиток бандурного виконавства: XIX - початок XX століття
Theoretical research and development of bandura playing in the XIX -early XX century

Author(s): Lesya Pavlenko
Subject(s): Customs / Folklore, Music, Recent History (1900 till today), 19th Century, Sociology of Art
Published by: Національна академія керівних кадрів культури і мистецтв
Keywords: kobzarstvo; bandura performance; folklore; professionalism; bandura performer;

Summary/Abstract: The purpose of the study is retrospective historical and theoretical scientific studies and of the bandura performance as such in the XIX – early XX century. The methodology consists in applying the general principle of objectivity of scientific, historical, logical, analytical and cultural methods for the analysis and systematization of theoretical generalizations about the bandura performance formation and determining socio-cultural and artistic prerequisites of the development of a new model of bandura-concert performer. Scientific novelty lies in the integrated consideration of theoretical principles and cultural phenomena of the development of bandura performance, which appears as an integral artistic and musical phenomenon in its development evolution in the XIX – early XX century. Conclusions. The research has found that early theoretical studies of bandura (Kobzar) performance were carried out within the folkloristic and ethnographic studies of Ukrainian folk culture. It has proved that under the influence of the creative elite and intellectuals the process of kobza and bandura performance entrance into the concert stage began. It further contributed to the professionalization of performance.

  • Issue Year: 2016
  • Issue No: 2
  • Page Range: 115-120
  • Page Count: 6
  • Language: Ukrainian