Răsfrângeri ale personalismului în Paracliserul, de Marin Sorescu
Răsfrângeri ale personalismului în Paracliserul, de Marin Sorescu

Summary/Abstract: An analytical theatre “towered drama” in which the fall into self corresponds to the apotheosis as insight, the Sexton play, by Marin Sorescu belongs to the “trilogy of the lyric ego” the “trilogy of queries”, in which“the absolute is being searched by oneself” by lonely characters, on a triple paradigm that reveals the Man in his fundamental dimensions –homocogitans, homo religiosus and homo aestheticus, in search of the solution of coming out from the absurd and the so teriological way. The idea of saving the soul by deification of the human spirit and by creation supposes knowledge,faith, creation, sacrifice-major thematic coordinates in a neomodernist dramatic structure in which three different ways conciliate:philosophy, religion and art. In its deep structure, the play combines gnosticism, Hegelian philosophy, Platon`s philosophy and personalism .Protesting against church demolitions and against cultural and ideological activity, bringing again Platon and Aristotle’s models in the artistic world,the author of this play proves himself to be a sensitive artist when it comes to separate literature from mythology, religion, and philosophy. The Sexton is the state of creator taking upon himself the falling of the entire humanity and carrying upon his shoulders the burden of its salvation through his own creation. Meeting God is not only a limit-mystical experience in which the opposition immanent-transcendent is suspended, when the “terrestrial”becomes “celestial” but also the moment of revealing the absolute freedom,as a vitruvian man.

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