The Flux of Transmigrant Identities in Thomas Arslan’s Brothers and Sisters Cover Image

The Flux of Transmigrant Identities in Thomas Arslan’s Brothers and Sisters
The Flux of Transmigrant Identities in Thomas Arslan’s Brothers and Sisters

Author(s): Anna Bátori
Subject(s): Fine Arts / Performing Arts, Film / Cinema / Cinematography
Published by: Scientia Kiadó
Keywords: Turkish-German cinema; Thomas Arslan; transgmigrant identity; multicultural society; accented cinema

Summary/Abstract: The paper investigates Brothers and Sisters (Geschwister-Kardeşler, 1995), the first piece of Thomas Arslan’s Berlin-trilogy. While putting the film into the socio-historical context of the newly united German Republic, the study aims to highlight the characters’ struggle and constant shift between their Turkish and German identity. Through the narrative and textual analysis of Brothers and Sisters, the paper reveals the visual forms of social exclusion and concludes that in Arslan’s film, the characters bear with no social idenity but various stages of identification, which keep them in an in-between, insecure position.

  • Issue Year: 2017
  • Issue No: 14
  • Page Range: 51-69
  • Page Count: 19
  • Language: English