Провансальский «провинциализм» в творчестве Д.Мийо (на материале «Бразильских танцев» и 2-й сюиты « Скарамуш»)
Provençal «provincialism» in creativity of Darius Milhaud (on materials of «Brazilian dance» and the second suite «Scaramouche»)

Summary/Abstract: The purpose of the article is to look for the «Provençal provincialism » in piano works of Darius Milhaud as a focus of the stylistic paradigm of stylistic paradigm of XX century. Methodology. The methodology of the study consists in the using of innovative stylistic comparative analysis to find out the components of the Provençal style of Darius Milhaud, which is naturally traced as Brazilian character. The last one is the creation of Portugal as the province of the European South. Scientific novelty. The scientific novelty of the research is the analysis Brazilian dances and the second suite «Scaramouche» of Darius Milhaud as manifestations of his «Provençal provincialism» in music. Conclusions. The main conclusion is to analyze the development of Darius Milhaud’s style to find perspectives stylistic integrations of «provincialism» in XX century as unity of European-Out-European-Old-European qualities of music expression.

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